Macbeth And Justice Essays - Characters In Macbeth,

Macbeth And Justice Even though people in retributive justice feel satisfaction, the perpetrator can also suffer. William Shakespeare's powerful Macbeth shows the deterioration of an honourable and respectable general, Macbeth, who becomes a tragic hero after temptations from the witches and his wife to perform murders. Macbeth soliloquies enable the audience to experience the conflict within Macbeth and thus, gain an understanding of the reasons for his behavior and decisions. As a result, the tremendous reversal of Macbeth's fortunes in the end leaves the audience filled not with pity, but also awe, at the realization that people can suffer greatly. Macbeth's soliloquies before the murder of Duncan shows the vigorous internal struggle of himself, as his conscience is fighting against his evil minds. Also, they shows Macbeth has brought his own downfall upon himself. The audience will then feel pity about Macbeth's deterioration brought by himself when witnessing his choice of following the evil. Macbeth is a courageous and honourable general in Scotland. His success in the battle against the invaders of Scotland gains respect from the King Duncan and his fellow soldiers. However, the demonic forces, symbolized by three witches, temptates Macbeth. The witches hail Macbeth as the Thane of Glamis and Cawdor who will be king and hail Banquo, who is a nobleman of Scotland and Macbeth's friend, as one who will become the father of a line of kings. Macbeth ambition deep in his heart starts growing at that time. In Act I, scene iii, when Macbeth is thinking about the fulfillment of the two prophecies given by the witches before, "My thought, whose murder yet is but fantastical, shakes my single state of man"(I, iii, 139- 140) In this soliloquy, Macbeth reflects his idea about the "two truths" told by the witches. He is ambitious to become king, as he reacts nervously when the witches mention his fate. The very idea of murder "shakes his single state of man". However, at this! point, he is loyal to the king, and he rejects the idea of murder, "If chance will have me king, why, chance may crown me, without my stir."(I, iii, 143-144) The predictions by the witches may have strengthened the criminal intentions that he had probably never yet dared to express clearly, even to himself. He is not alliance with crime, he is neutral, but obviously temptation is working upon him. Yet, he might overcome the promptings of his evil ambition by an effort. After the battle, Macbeth is greeted with effusive thanks by Duncan. Duncan then announces that he will make Malcolm heir to the throne. In Act I, scene iv, Macbeth in his aside states that this announcement is a bar to his ambition and calls upon darkness to cover what he wishes to be done: That is a step on which I must fall down, or else o'erleap, for in my way it lies. Stars, hide your fires; let not light see my black and deep desires: The eye wink at the hand; yet let that be which the eye fears, when it is done, to see (I, iv, 49-54) As Duncan makes the announcement, Macbeth starts wondering if murder is the only way in which he can achieve the kingship. His ambition overcomes his finer nature. He calls upon the stars to hide their light, indicating that his "black" desires comes out, and he thinks it is too evil to be seen. Macbeth's image of the eyes' winking upon the work of the hand is expressive both of his intense aversion to the deed and of his intense desire to get what the deed will accomplish. At the same time his "let that be" marks the point at which his fascinated contemplation of the thought of murdering Duncan becomes a resolution, although he will waver from it. The opposition between eye and hand is indicative of the civil war within him. In Act I, scene iv, shortly after Duncan's arrival to Macbeth's castle, Macbeth gives voice to his feeling concerning the rashness and the awfulness of the projected murder: If it were done when ?tis done, then ?twere well it were done quickly. If th' assassination could trammel up the consequence, and catch, with his surcease, success; that but this blow might be the be-ball and the end-all -- here. But here, upon this bank and shoal of time, we'd jump the life to come. But in these cases we still have judgment here. (I, vii, 1--8) At this point, Macbeth's character has fallen to the point where he

Erre Moscia - Dispelling Linguistic Myths and Legends

Erre Moscia - Dispelling Linguistic Myths and Legends ​ The bulk of our linguistic competency is learned at an early age- normally before we even show signs of having acquired this ability. We listen to pronunciations, intonations and cadences, and use it all to fashion our own way of speaking. As adults, we can watch this process taking place in young children learning to talk. What we dont usually observe is that we begin to form opinions about another person based solely upon the way he or she speaks. Accents define us in more ways than we care to admit. Usually these preconceptions remain subconscious, only revealed, for example, when we believe someone with a heavier accent less intelligent than ourselves. Other times, the notions are much closer to the surface.One such highly debated presumption of Italian phonology centers on the misunderstood letter r which is typically pronounced as an alveolar trill in the front of the mouth. However, in some parts of Italy, notably Piedmont and other parts of the northwest near the French borde r, r is produced as a uvular sound in the back of the mouth. This is known as erre moscia or soft r and many Italians have crowned this unfortunate pronunciation wrong, going so far as to say that all those who speak with erre moscia are either snobby or have a speech impediment. Before making such assumptions about erre moscia, we must understand a few simple facts about its background. The History of R The letter r has a distinct history in many languages. In the phonetic table of consonants it hides under the label liquid or approximant, which are just fancy terms for letters halfway between consonants and vowels. In English, it is one of the last sounds to be developed, possibly because children arent always certain what people are doing to produce the sound. Researcher and linguist Carol Espy-Wilson used an MRI to scan the vocal tract of Americans saying the letter r. In order to produce r, we must constrict our throats and lips, position our tongue and engage the vocal cords, all of which requires a lot of well-timed effort. She discovered that different speakers use different tongue positions, yet exhibit no change in the sound itself. When a person does produce a sound differing from normal r, that person is said to exhibit signs of rhotacism (rotacismo in Italian). Rhotacism, coined from the Greek letter rho for r, is an excessive use or peculiar pronunciation of r. Why Piedmont? The phrase no man is an island relates just as well to human languages as to human emotions. Despite the efforts of many language purists to prevent influences from other languages entering their own, there is no such thing as an isolated linguistic environment. Wherever two or more languages exist side-by-side, there is the possibility of language contact, which is the borrowing and intermingling of words, accents and grammatical structures. The northwest region of Italy, because of its shared border with France, is in a prime position for infusion and mixing with French. Many of Italys dialects evolved similarly, each changing differently depending on the language with which it came into contact. As a result, they became almost mutually incomprehensible. Once any alteration has taken place, it remains within the language and is passed from generation to generation. Linguist Peter W. Jusczyk has conducted research in the field of language acquisition. It is his theory that our capacity to perceive speech directly affects how we learn our native tongue. In his book The Discovery of Spoken Language Jusczyk examines a number of studies which demonstrate that from approximately six to eight months of age, infants can distinguish subtle differences in every language. By eight to ten months, they are already losing their universal ability to detect delicate phonetic differences in order to become specialists in their own language. By the time production begins, they are accustomed to certain sounds and will reproduce them in their own speech. It follows that if a child only hears erre moscia, that is how he will pronounce the letter r. While erre moscia occurs in other regions of Italy, those instances are considered deviations whereas in t he northwest region erre moscia is perfectly normal. It is no secret that r- at least in the beginning- is a very difficult sound to produce. It is one of the last sounds children learn to say correctly, and has proven a rather difficult hurdle for people trying to learn a foreign language who claim they cannot roll their rs. However, it is doubtful that people who speak with erre moscia have adopted that sound due to an inability to pronounce another kind of r. Speech therapists who work with children to correct a variety of impediments (not just for the letter r) say that they have never witnessed a case where a child substitutes a uvular r for another one. The idea doesnt make much sense because erre moscia is still a version of the letter (albeit not the popular one) and still requires complicated positioning of the tongue. More likely, a child will substitute the semivowel w sound which is close to the letter r and easier to pronounce, making them sound like Elmer Fudd when he shouted Dat waskily wabbit! As for a snobbish affectation, there are certainly examples of wealthy, prominent Italians who speak with this accent. Actors who wish to depict an aristocrat from the 1800s are said to adopt erre moscia. There are even more recent examples of wealthy Italians who speak with erre moscia, such as the recently deceased Gianni Agnelli, industrialist and principle shareholder of Fiat. But it should not be ignored that Agnelli was from Turin, the capital city of the Piedmont region where erre moscia is part of the regional dialect. Certainly the phenomenon of erre moscia in Italian speech is not the consequence of any one variable but rather a combination. Some people may choose to use erre moscia in an effort to seem more refined, though considering the stigma attached, it would seem to defeat the purpose. It doesnt appear to be a speech impediment because erre moscia is not any easier to produce than the normal Italian r. More likely it is the result of language contact with French and adoption as part of the native dialect. However there are still many questions surrounding this unusual sound and the debate will continue among speakers of Italian, both native and foreign.About the Author: Britten Milliman is a native of Rockland County, New York, whose interest in foreign languages began at age three, when her cousin introduced her to Spanish. Her interest in linguistics and languages from around the globe runs deep but Italian and the people who speak it hold a special place in her heart.